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- <text id=92TT0521>
- <title>
- Mar. 09, 1992: Critics' Voices
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Mar. 09, 1992 Fighting the Backlash Against Feminism
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' VOICES, Page 10
- </hdr><body>
- <p>MOVIES
- </p>
- <p> THE GREAT MOUSE DETECTIVE. In this 1986 animated feature,
- now revived for a new generation, a mouse chanteuse performs
- the first tentative striptease in a Disney cartoon. Otherwise,
- there's not much momentous in this story of some adorable
- rodents and a peg-legged bat named Fidgit--just some clever
- cartoonists having a holiday on mice.
- </p>
- <p> MISSISSIPPI MASALA. Ethnic rancor in the deep South--this time between a genial black businessman (Denzel
- Washington) and an Indian family emigrated from Africa. Director
- Mira Nair, who artfully depicted a boy's slum life in Salaam
- Bombay!, cannot make the human ambiguities compelling here.
- Characters strike attitudes, not heartstrings, and seem stranded
- in a Mississippi mishmash.
- </p>
- <p>TELEVISION
- </p>
- <p> UNFORGETTABLE, WITH LOVE (PBS, March 7, 8 p.m. on most
- stations). For anyone who didn't get enough of Natalie Cole and
- her dad on the Grammys (anyone out there?), this Great
- Performances special, shot during her recent concert tour,
- should fill the bill.
- </p>
- <p> THE POWERS THAT BE (NBC, debuting March 7, 8:30 p.m. EST).
- Norman Lear tries for a comeback (after last summer's abysmal
- Sunday Dinner) with a sitcom about a dim-witted Senator. John
- Forsythe is amusing as a Reaganesque legislator, but the satire
- and supporting characters (imperious wife, nervous press aide)
- are broader than the Potomac.
- </p>
- <p> FISH POLICE (CBS, Fridays, 8:30 p.m. EST). Animated
- underwater shenanigans. Well, it's better than Capitol Critters.
- </p>
- <p>THEATER
- </p>
- <p> PRIVATE LIVES. It seemed impossible anything could erase
- the grim memory of Elizabeth Taylor and Richard Burton mangling
- Noel Coward's comic souffle of marriage, but Joan Collins far
- outdoes them in ickiness in this overdressed, undertalented
- Broadway revival.
- </p>
- <p> GRANDCHILD OF KINGS. Hal Prince proved himself a genius of
- high-gloss staging in such musical extravaganzas as Cabaret and
- The Phantom of the Opera. Now his awesome talents, and a cast
- of 27, are employed in an exuberant, emotionally rich yet
- intimate off-Broadway retelling of Sean O'Casey's Dublin
- memoirs.
- </p>
- <p>MUSIC
- </p>
- <p> JULUKA: AFRICAN LITANY and UBUHLE BEMVELO (Rhythm Safari).
- Juluka is Sipho Mchunu, who is a black African, and Johnny
- Clegg, who is white and an honorary member of the Zulu tribe.
- Together, Clegg and Mchunu have made some extraordinary music,
- mixing African rhythms with a contemporary beat and some
- pointedly political lyrics that manage to be both proud and
- conscience stricken. This is music that will move you and shake
- you.
- </p>
- <p> GEORGE LEWIS: TRIOS & BANDS (American Music). New
- Orleans-born George Lewis became a cult figure for traditional
- jazz fans the world over and the model of dozens of clarinetists
- ranging from Woody Allen to Britain's Sammy Rimington and
- Japan's Ryoichi Kawai. Lewis died in 1968, but musicologist Bill
- Russell, 87, is keeping his message alive with the CD release
- of historic acetate recordings Russell made a half-century ago.
- (American Music, 1206 Decatur Street, New Orleans, La. 70116)
- </p>
- <p> MONTEVERDI: VESPRO DELLA BEATA VERGINE, 1610 (Archiv
- Produktion). 2 CDs. The Vespers of 1610 is easily the most
- virtuosic, enthralling and glorious liturgical composition
- before Bach's Passions. John Eliot Gardiner leads a large and
- splendid assortment of soloists, choristers and instrumentalists
- in this kinetically irresistible and revelatory performance.
- </p>
- <p>BOOKS
- </p>
- <p> VOX by Nicholson Baker (Random House; $15). This novel
- masquerades as the transcript of a phone conversation between
- a man and a woman who have connected over an adult party line;
- beneath the talk runs a funny and sometimes chilling parable
- about relationships in the age of safe sex.
- </p>
- <p> UNTO THE SONS by Gay Talese (Knopf; $25). It may be
- overwritten, but this lengthy memoir exhaustively, often vividly
- tells of the great wave of Italian immigration to the U.S.,
- through the experiences of the author's ancestors. Imagine Roots
- dipped in marinara sauce.
- </p>
- <p>ETCETERA
- </p>
- <p> BIZET: THE PEARL FISHERS. Carmen it isn't, but an
- endearing minor opera, with a crazy plot and a thrilling
- tenor-baritone duet. It gets a rare production from the Opera
- Company of Philadelphia, starring award-winning tenor Martin
- Thompson. March 16, 20, 22.
- </p>
- <p> FELD BALLETS/NY. Choreographer Eliot Feld is celebrating
- his 25th anniversary with an ambitious New York City season
- that includes five new works, among them Wolfgang Strategies,
- a tribute to Mozart. Through March 22.
- </p>
- <p>FINAL PARALYSIS
- </p>
- <p> Why does a beautiful woman carry a gun in FINAL ANALYSIS?
- Because "there are a lot of lunatics out there!" At least three
- of them are at large in this steamy Hitchcock knockoff--mostly
- from Vertigo. A psychiatrist (Richard Gere, with his famous
- hair and casual sexual authority) blunders into toxic
- relationships with two wily sisters (Kim Basinger and Uma
- Thurman). Soon, despite her married bondage to creepy contractor
- Eric Roberts, Basinger takes Gere to bed. Their mandatory sex
- scene is shot in tiger stripes of light and shadow, as if it
- were an R-rated outtake from the Nature series. The four
- gorgeous leads aren't playing characters here; they are making
- erotic fashion statements. And Phil Joanou's direction is
- mannered to the max. Or, rather, to the min; the film is two
- hours of flexing jaws and sultry glances. Before delivering a
- line of dialogue, everybody takes a nap. All of which is about
- as arousing as watching a tortoise sun itself.
- </p>
- <p>By TIME'S Reviewers. Compiled by Georgia Harbison.
- </p>
-
- </body></article>
- </text>
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